Examinando por Materia "Expresionismo"
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- PublicaciónAcceso abiertoCuerpos en movimiento: un performance dancístico Arché, el origen de una subjetividad danzante(2017) Viera Romaña, Yareiza; Hernández González, Edilberto de JesúsAbstract The dance is a language that he communicates across anatomical movements, a speech stuffed with gestures, commotions and emotions, the function of this one is to express what happens in the interior, and for this motive it might be call a dance, to the vital processes that happen inside the human body, such as the breathing, the gaseous exchange, the million river-beds Vibrant to the step of the carbono and oxygen, as the movements of the heart, with the blood, the liquid that dances in all the tracks understood as systems of the human body, also the contractions that our anal cavity realizes at the moment of a gas goes out, imagines, your muscles in an integral movement to give step to the alone one of the dancer, who will invade the whole scene, and as these examples immensities exist in our interior, it is necessary to affirm that we are a creation dancer for nature. The expressionism dancístico re-turns the pre-established conformity, which registers in the form ferociously and rarety, is the sharp thing, torn. His topics are: the dementia, the reproduction, the representation of the double, the ferocity, erotic and basic, the panic, a grimace without modesty, the commotion of the great city, the death. The most significant thing is the aspect of the things they ensue from the feelings, the added to the reality of the personal expression; the technology is important in dance, to be able to report clearly from the expression. Wigman (1913) perceived the dance as a situation and a purification of the espirito. Coffee Müller: Pina Bausch-Cafe Müller (1978), his putting is loaded with melancholy of the non-existent thing, an unoccupied place, by a helpless body. Nobody: not Body, in coproduction with Festival d'Avignon, Schaubühne am Lehniner Platz Berlin of the German choreographer Sasha Waltz (2002), sample of an investigation on the human body, the movement and his material essence, all this.
- PublicaciónAcceso abiertoLa oralidad abre puertas : la oralidad a partir de experiencias literarias en la escuela(2019) Hernández Ortiz, Edy Yojana; Tejada Gómez, Kelly Yasmín; Vélez Agudelo, Leidy Paola; Hernández Carvajal, Yudy Marcela; Múnera Barbosa, Luis RafaelThe aim of this paper is to strengthen orality based on the literary experiences of students of St. Mary Benedictine School in Envigado municipality; the Centro Educativo Rural Maracaibo in Yolombó municipality which is based on new school pedagogy; the child development centers Dulce Despertar and Josefina Muñoz located in Rionegro municipality, all of which are located in the department of Antioquia; this research is of significant input for each institution since some flaws have been identified in their communicative processes which were worked on jointly with the teachers to bolster up these flaws. Likewise, it has been noticed that literary experiences are of pivotal importance to enhance the orality through concrete activities which help to the construction of the proposed objectives with each of them. Furthermore, it has been necessary to construct an enjoyable and interesting process for the participants which has implied a constant work of exploration, observation, follow up, analysis, and evaluation